Historical painting techniques
| Inne tytuły: | Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique |
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| Autorzy: | Andrea Rothe Arie Wallert Johan Rudolph Justus van Asperen de Boer Sylvana Barrett ... |
| Redakcja: | Arie Wallert Erma Hermens Marja F. J. Peek |
| Wydawca: | The Getty Conservation Institute (1996) |
| ISBN: | 0-89236-322-3 |
| Autotagi: | druk |
| Źródło opisu: | Biblioteka Muzeum Narodowego w Krakowie - Katalog Biblioteki Muzeum Narodowego w Krakowie |
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| Inne tytuły: | Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique materials and studio practice preprints of a symposium - University of Leiden, the Netherlands, 26-29 June 1995 A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century An integrated approach for the study of painting techniques An investigation of palette and color notations used to ceate a set of Tibetan thangkas Gerard David’s St. Anne altarpiece: evidence for workshop participation Paul Delaroche: a case study of academic painting A seventeenth-century Italian treatise on miniature painting and its author(s) Andrea Mantegna's Adoration of the Magi Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Aspects of painting technique in the use of verdigris and copper resinate Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Connections and coincidences: three pigments From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Johannes Vermeer (1632–1675) and his use of perspective Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination New evidence for the medieval production of icons in the Nile Valley Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Painting techniques and materials of Turner and other British artists 1775–1875 Questions about medieval gesso grounds Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Style and technique in Dutch landscape painting in the 1620s Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral The Roberson Archive: content and significance The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique William Holman Hunt and the "Pre-Raphaelite technique" |
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| Autorzy: | Andrea Rothe Arie Wallert Johan Rudolph Justus van Asperen de Boer Sylvana Barrett Barbara Hepburn Berrie Ulrich Birkmaier Leslie Carlyle Dace Choldere Josephine A. Darrah Kate I. Duffy Jacki A. Elgar Molly Faries Beate Knuth Federspiel John R. Gayer E. Melanie Gifford Helen Glanville Stephen Hackney Erma Hermens Helen Howard Melissa R. Katz Jo Kirby Ann Massing Catherine A. Metzger Ilze Poriete Ashok Roy Eddie Sinclair Zuzana Skalová Christa Steinbüchel Dusan Stulik Joyce H. Townsend Jørgen Wadum Ernst van de Wetering (1938-2021) Sally Woodcock Renate Woudhuysen-Keller (1944-2012) |
| Redakcja: | Arie Wallert Erma Hermens Marja F. J. Peek |
| Wydawca: | The Getty Conservation Institute (1996) |
| ISBN: | 0-89236-322-3 |
| Autotagi: | druk |
