Technical studies of paintings
| Inne tytuły: | Master or assistant? – painted alterations in the Pleydenwurff workshop A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger |
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| Autorzy: | Lucy Whitaker Maryan Wynn Ainsworth Dominique Allart Katja von Baum ... |
| Redakcja: | Anne Dubois Till-Holger Borchert Jacqueline Couvert |
| Wydawca: | Uitgeverij Peeters (2018) |
| Wydane w seriach: | Dessin Sous-Jacent et la Technologie dans la Peinture |
| ISBN: | 978-90-429-3532-7 |
| Autotagi: | druk elementy biograficzne |
| Źródło opisu: | Biblioteka Muzeum Narodowego w Krakowie - Katalog Biblioteki Muzeum Narodowego w Krakowie |
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| Inne tytuły: | Master or assistant? – painted alterations in the Pleydenwurff workshop A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting, held in Bruges, 11-13 September 2014 problems of attribution (15th-17th centuries) The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters The Beaune last judgement - sorting out Rogier van der Weyden and his assistants The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Who is the man in red and who painted him? A new Virgo Lactans of the Gold Brocade group Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Philip the Good bare-headed - in search for original and copy Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics The Middendorf altarpiece by a follower of Hugo van der Goes The Saint Michael altarpiece in Spišská Kapitula - a preliminary report The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens The oeuvre of Jan Swart van Groningen reconsidered The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Underdrawing and Technology in Painting XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) |
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| Autorzy: | Lucy Whitaker Maryan Wynn Ainsworth Dominique Allart Katja von Baum Rachel Billinge Peter van den Brink Véronique Bücken Ingrid Ciulisová Claire Chorley Nicola Christie Christina Currie Marjan Debaene Katrin Dyballa Anne Dubois Lisa Eckstein Dan Ewing Molly Faries Pascale Fraiture Bart Fransen Beate Fücker Maria Clelia Galassi E. Melanie Gifford Babette Hartwieg Valentine Henderiks Dagmar Hirschfelder Stephan Kemperdick Mary Kempski David Lainé Caterina Limentani Virdis (1940-2018) Daantje Meuwissen Judith Niessen Anne van Oosterwijk Catheline Périer-D'Ieteren Carmen Sandalinas Linares Steven Saverwyns Griet Steyaert Elisabeth Van Eyck Joshua P. Waterman Margreet Wolters |
| Redakcja: | Anne Dubois Till-Holger Borchert Jacqueline Couvert |
| Wydawca: | Uitgeverij Peeters (2018) |
| Serie wydawnicze: | Dessin Sous-Jacent et la Technologie dans la Peinture |
| ISBN: | 978-90-429-3532-7 |
| Autotagi: | druk elementy biograficzne |