Politics of erasure from "Damnatio memoriae" to alluring void
| Inne tytuły: | Erasure. Memory Exercises "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren |
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| Autorzy: | Agnieszka Bandura Piotr Bernatowicz Katarzyna Bojarska Rafał Eysymontt ... |
| Redakcja: | Anna Markowska |
| Wydawcy: | Polish Institute of World Art Studies (2014) Polski Instytut Studiów nad Sztuką Świata Wydawnictwo Tako |
| Wydane w seriach: | Conferences and Studies of the Polish Institute of World Art Studies |
| ISBN: | 978-83-62737-66-6 |
| Autotagi: | druk |
| Źródło opisu: | Biblioteka Muzeum Narodowego w Krakowie - Katalog Biblioteki Muzeum Narodowego w Krakowie |
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| Inne tytuły: | Erasure. Memory Exercises "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Anish Kapoor, "Memory" Authenticity (aura) recycled. Erasing originality in appropriation art Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Damnatio memoriae and Roman imperial art Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Erasure of time. Photographs of abandoned places Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Historical museums: between representation and illusion Imaging iconoclasm Isolation / Erasure Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Marek Oberländer – a painter undesired by the time Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Politics of replacing in New Romanticism Re-representation – critical art and the return of the repressed Removal of Communist monuments: obliteration of the past or healing the memory? Removing Romania: the Western art world colonized by the "East" Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) The absent ones – placing the post-war Wrocław painting in the context of Polish art The condemnation of memory in the modern epitaphs of Central Pomerania The disappearing memory of Birkenau. A story of the power of nature The town as a palimpsest. Erasing and recovering the medieval town Visual tyranny as autopoiesis Visualizing the other: ethnographic film as thick description Void, the art of erasure. Representing absence in the Jewish Museum Berlin Washing up memories: some strategies of Milan Kohout’s performance activism Wilhem Sasnal’s photophobia |
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| Autorzy: | Agnieszka Bandura Piotr Bernatowicz Katarzyna Bojarska Rafał Eysymontt Joanna Filipczyk-Topolnicka Camelia Gradinaru Anna Gut-Czerwonka Zuzanna Ilnicka Rafał Ilnicki Andrzej Jarosz (1971-2019) Eleonora Jedlińska Alicja Klimczak-Dobrzaniecka Agnieszka Kłos Małgorzata Ksenia Krzyżanowska Agata Kubala Anna Markowska Maria Magdalena Morawiecka Agnė Narušytė Konrad Niemira Małgorzata Nieszczerzewska Alicja Palęcka Lucia Popa Hadara Scheflan-Katzav Patrycja Sikora Anna Sikora-Sabat Agnieszka Sinicka Marta Smolińska Agata Soczyńska Jed Speare Anna Stec Barbara Szczepaniak Xanthi Tsiftsi Magdalena Worłowska Jakub Zarzycki Michał Zawada Magdalena Zięba Anna Ziębińska-Witek |
| Redakcja: | Anna Markowska |
| Wydawcy: | Polish Institute of World Art Studies (2014) Polski Instytut Studiów nad Sztuką Świata Wydawnictwo Tako |
| Serie wydawnicze: | Conferences and Studies of the Polish Institute of World Art Studies |
| ISBN: | 978-83-62737-66-6 |
| Autotagi: | druk |
