Textile conservation:
advances in practice
| Inne tytuły: | Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink |
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| Autorzy: | Elizabeth Anne Haldane Lynda Hillyer Anne Peranteau Jacquelyn Peterson-Grace ... |
| Redakcja: | Frances Lennard Laura Mina Patricia Ewer |
| Wydawca: | Routledge. Taylor Francis Group (2024) |
| Wydane w seriach: | Routledge Series in Conservation and Museology |
| ISBN: | 978-1-032-41581-9 |
| Autotagi: | druk |
| Źródło opisu: | Biblioteka Muzeum Narodowego w Krakowie - Katalog Biblioteki Muzeum Narodowego w Krakowie |
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| Inne tytuły: | Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Conversations about teaching textile conservation: forming a community of practice Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa The Esh Winning miners' banner project - conservation involvement in a community initiative The conservation of two plated jacks - the importance of work-based learning Conservation of an Aubusson rug Documentation as conservation: the treatment of an archaeological Andean khipu Inherent vice, or: how I learned to stop worrying and love shattered silk Modern textile conservation at the Victoria and Albert museum II: dynamic display and agile conservation Negotiation and flexibility: new challenges influencing the management of large, complex textile conservation projects: working in the public view The Scots Colours at Toitu Otago Settlers Museum: use, preservation, and protocol The preparation of condition reports for costume and textiles at the Los Angeles County Museum of Art The treatment and retreatment of trade union banners: (re)building a specialism in the conservation of large painted textiles based on their living history A successful intertwining. Non-destructive analysis informing conservation projects at the Textile Department of the Opificio delle Pietre Dure Beyond hope: upholstery and textile conservation collaborations Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland Fit for a princess? Material culture and the conservation of Grace Kelly's wedding dress Project planning and management The adhesive treatment of an early nineteenth-century straw-embroidered silk net dress The analysis and stitch support treatment of a suspected tin-weighted silk child's dress The restoration of the tapestry "Battle of Roncevaux" from the Museo Nazionale del Bargello in Florence: a bridge between tradition and innovation #textileconservation: an informal community of practice on social media A study of the microenvironment within pressure mounts Back from black - contrasting approaches to the cleaning and conservation of historic fixed wall hangings at Knole Conservation and connoisseurship Conservators curating exhibitions Considerations on backlit systems for display of cotton textiles Defining features of the TCC's MA Textile Conservation programme 1999-2009 Developing a short-term intensive training course in textile conservation for non-conservation museum professionals in Jordan Foreword to the first edition Foreword to the second edition Hosting pre-programme work placements in colour and 3-D Identification of plastics and improvement of their storage at the Kyoto Costume Institute Institutional developments and their effect on conservation policies: the Cambusnethan bog burial coat Material evidence: assessing risk in the collection of the Museum at the Fashion Institute of Technology Modern textile conservation at the Victoria and Albert Museum: roots, evolution and rapid changes Monitoring light-induced change in textiles at The Colonial Williamsburg Foundation Moving on: the transition from museum conservation to private practice New conservation practices for a nineteenth-century chenille carpet at the National Trust Textile Conservation Studio Partnership in the preservation of cultural heritage at the National Museum of the American Indian Preserving information: two beds with textile hangings dating from the seventeenth century Preserving materials and preserving meaning: Marie Watt's "Untitled" ("Dream Catcher"), 2014 Preventive conservation at The Colonial Williamsburg Foundation Preventive conservation solutions for textile collections Progress in adhesive techniques - the conservation of two Coptic tunics at the Victoria and Albert Museum Repatriation of Chief Crowfoot's Regalia to the Siksika Nation - a conservator's involvement Teaching preventive conservation and textile treatments in Asia and Africa The Bacton altar cloth - the lost dress of Elizabeth I? How collaboration can inform both curatorial research and conservation treatment The broadening of conservation boundaries: a personal perspective The conservation and replication of the banner-covered ceiling in the Stibbert Museum, Florence, Italy The conservation of four 1760s chairs: revealing and reinstating original upholstery features during in-situ treatment The conservation of three painted soft sculptures by Mirka Mora: three different outcomes The conservator's eye: bringing an additional perspective to textile artefacts To reveal and not obscure: balancing conservation and visual access Traditional dress: the evolution of exhibition display methods in response to curatorial interpretations Working with synthetic fibres: the response of textile conservation to twentieth-century dress |
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| Autorzy: | Elizabeth Anne Haldane Lynda Hillyer Anne Peranteau Jacquelyn Peterson-Grace Caroline Rendell Sarah Scaturro Katy Smith Morwena Stephens Mika Takami Alexandra Barlow Cathy M. Batt Kate Blair Julia M. Brennan Nancy Britton Lucia Burgio Rosie Chamberlin Marta Cimò Claudia Cirrincione Karen Clark Jon Clindaniel Rachael Collinge Rosie H. Cook Ann Coppinger Sabine Cotté Jim Devenport Dinah Eastop Linda Eaton Norman Emery Jennifer van Enckevort Lara Flecker Paul Garside Nicola Gentle Kathryn Gill Beth Gillions Christine Giuntini Claire Golbourn Aimée. Grice-Venour Kelly Grimshaw Gretchen Guidess Joanne Hackett Robin Hanson Susan Heald Melinda Hey Sarah Howard Helen M. Hughes Kate Irvin Rebecca Johnson-Dibb Maria Jordan Mary Kaldany Masumi Kataoka Anna Rose Keefe Marion Kite Barbara Lehrecke Frances Lennard Ksynia Marko Fiona McLaughlan Catherine C. McLean Miriam McLeod Hector Manuel Meneses Lozano Denyse Montegut Laura Mina Bernice Morris Sonia A. O'Connor Claire Orbell Kate Orfeur Patsy Orlofsky Lauren Osmond Cecilia Pardo Elizabeth E. Peacock Sara Pearce Georgina Ripley Zoe Roberts Nicole Rode Guia Rossignoli Kloë Rumsey Moe Sato Susan R. Schmalz Chris Scott Louise Shewry Patricia Silence Emma Smith Benjamin Stern Howard Sutcliffe Rangi Te Kanawa Karen Thompson Libby Thompson Zenzie Tinker Licia Triolo Deborah Lee Trupin Jessica Urick Mary Westerman Bulgarella Kaoru Yui |
| Redakcja: | Frances Lennard Laura Mina Patricia Ewer |
| Wydawca: | Routledge. Taylor Francis Group (2024) |
| Serie wydawnicze: | Routledge Series in Conservation and Museology |
| ISBN: | 978-1-032-41581-9 |
| Autotagi: | druk |
