The Henryk Siemiradzki that we do not know
| Inne tytuły: | Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Unknown collection of photographs from the Siemiradzki family albums |
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| Autorzy: | Marzena Sieklucka Dominika Sarkowicz Jerzy Malinowski Agnieszka Kluczewska-Wójcik ... |
| Redakcja: | Dominika Sarkowicz Agnieszka Kluczewska-Wójcik |
| Wydawcy: | Polish Institute od World Art Studies (2018) Polski Instytut Studiów nad Sztuką Świata Wydawnictwo Tako |
| Wydane w seriach: | World Art Studies conferences and studies of the Polish Institute of World Art Studies, |
| Autotagi: | druk |
| Źródło opisu: | Biblioteka Muzeum Narodowego w Krakowie - Katalog Biblioteki Muzeum Narodowego w Krakowie |
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| Inne tytuły: | Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Unknown collection of photographs from the Siemiradzki family albums Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Henryk Siemiradzki - works, memorabilia, documents Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography the history of the collection os the artist's legacy in the National Museum in Krakow "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique First attempts: the early work of Henryk Siemiradzki Henryk Siemiradzki and his interest in the paranormal phenomena Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris Henryk Siemiradzki that we do not know - introduction Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery) Henryk Siemiradzki's figuralism Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop" Siemiradzki as a portrait painter variations on a theme |
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| Autorzy: | Marzena Sieklucka Dominika Sarkowicz Jerzy Malinowski Agnieszka Kluczewska-Wójcik Agnieszka Świętosławska Veronika-Irina Traânovna-Bogdan Tat'âna L'vovna Karpova Vìta Volodimirìvna Susak Agnieszka Kuczyńska Grzegorz First Maria Nitka Aneta Biały Nike Farida Wojciech M. Głowacki Kamilla Twardowska Magdalena Laskowska Monika Paś Rafał Janke Elena Vladimirovna Nesterova Sergej Sirro Yulia Dyakonova Ksenia Zdzieszyńska-Demolin Dorota Pliś Anna Klisińska-Kopacz Justyna Kwiatkowska Radosław Wąsik |
| Redakcja: | Dominika Sarkowicz Agnieszka Kluczewska-Wójcik |
| Wydawcy: | Polish Institute od World Art Studies (2018) Polski Instytut Studiów nad Sztuką Świata Wydawnictwo Tako |
| Serie wydawnicze: | World Art Studies conferences and studies of the Polish Institute of World Art Studies, |
| Autotagi: | druk |
