Studia i Materiały Konferencji Naukowej Studentów Konserwacji i Restauracji Dzieł Sztuki
| Inne tytuły: | Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow |
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| Autorzy: | Zofia Kaszowska Magdalena Skarżyńska-Wawrykiewicz Jacek Bagniuk Kateřina Bártová ... |
| Instytucja sprawcza: | Konferencja Naukowa Studentów Konserwacji i Restauracji Dzieł Sztuki |
| Tłumacz: | Monika Bogdanowska |
| Redakcja: | Małgorzata Nowalińska |
| Wydawcy: | Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie (2016) Akademia Sztuk Pięknych im. Jana Matejki |
| ISBN: | 978-83-65570-17-8 |
| Autotagi: | druk |
| Źródło opisu: | Biblioteka Muzeum Narodowego w Krakowie - Katalog Biblioteki Muzeum Narodowego w Krakowie |
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| Inne tytuły: | Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Kraków, 17-19 marca 2016 Riddles of the Greek Catholic church Art of gilding - a case study on the textile gilding technique Conservation of the icon "Baptism" NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap 3rd International Student Conference of Conservation and Restoration of Woorks of Art, Cracow, 17th - 19th March 2016 Adhesives in conservation of stone finishes Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow Conservation of the baroque stone sculpture of the Virgin Mary from the Sanctuary of Świetorodzinna Mother of God in Miedniewice, Mazowieckie voivodeship Conservation of wallpaper: from handicraft o digital technology Consolidation effects of lime nanosols and silicic acid ester mixtures for wall paintings Danger of using acrylic resins in oil painting Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest Fading of the geranium lake in Vincent Van Gogh's portrait Dr. Paul Gachet (1890, Paris Musée d'Orsay) In Kraljević's shoes: research and conservation treatments conducted on the painting "The Satyr and the Peasant" by Miroslav Kraljević International Klein Blue, a reconstruction Introducing polychromy and patination of the plaster portrait sculptures and the frieze "Christ Enters Jerusalem" vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project Moisture in historical architectural structures New exposition and conservation of the wall painting "Bishop Marianos under he protection the Mother of God and a Child" from the Faras cathedrall Pastel - an object with specific needs Regeneration of varnish and binders used in painting Research of lightfastness and qality of digital prints Restoration of book torsos Restoration of the Salviati Chandelier Role of a conservator-restorer and the reconstruction treatment in the restoration of works of art at the base of the conservation-restoration of the murals in St. Francis de Sales church in Cracow Straightening of curled negative film strips Studia i Materiały Konferencji Naukowej Studentów Konserwacji i Restauracji Dzieł Sztuki [T. 3] Taxidermy in contemporary art To fill or not to fill Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology, wood identification and state of preservation |
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| Autorzy: | Zofia Kaszowska Magdalena Skarżyńska-Wawrykiewicz Jacek Bagniuk Kateřina Bártová Agnieszka Beczyczko Edyta Bernady Gabriel Bernard Dorota Białek-Kostecka Katarzyna Bizoń Alexandra Botz Tanita Ciesielska Gabrielle Decrion-Lanta Katarzyna Magrysiewicz-Dobrzańska Astrid Esquivel Álvarez Dóra Fekete Judit Fiam Anna Forczek-Sajdak Barbara Gmińska-Nowak Amaranta Gonzáles Hurtado Joanna Grabowska Ekaterina Grachyova Ewelina Jarek Mateusz Jasiński Agnieszka Jędrusik Aldona Jędrusik Marta Kamińska Renata Karska Eugine Korza Marcin Kot Anna Kowalik Paulina Krupa Dagna Krysiak Hanna Ludwiczak Agnieszka Marecka Aleksandra Masalska Mirna Međeral Izabela Michalik Edit Mikó Piotr Owczarek Michał Płotek Maja Potrawiak Elena Rădoi Hortense Robert Joanna Sitnik Magdalena Skóra Justyna Skrzelowska Lenka Slouková Mateusz Stryczak Renata Tauchmanova Rebeka Tiszai Małgorzata Walczak Jagoda Żarnowiecka Andrzej Żygadło |
| Instytucja sprawcza: | Konferencja Naukowa Studentów Konserwacji i Restauracji Dzieł Sztuki |
| Tłumacz: | Monika Bogdanowska |
| Redakcja: | Małgorzata Nowalińska |
| Wydawcy: | Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie (2016) Akademia Sztuk Pięknych im. Jana Matejki |
| ISBN: | 978-83-65570-17-8 |
| Autotagi: | druk |
