Printing colour 1700-1830
| Inne tytuły: | From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe histories, techniques, functions, and receptions |
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| Autorzy: | Margaret Morgan Grasselli Corinne Le Bitouzé Elizabeth Savage Manon van der Mullen ... |
| Adaptacja: | Stijnman |
| Redakcja: | Margaret Morgan Grasselli Elizabeth Savage |
| Wydawca: | Oxford University Press (2025) |
| Wydane w seriach: | Proceedings of the British Academy, |
| ISBN: | 978-0-19-726753-0 |
| Autotagi: | druk |
| Źródło opisu: | Biblioteka Muzeum Narodowego w Krakowie - Katalog Biblioteki Muzeum Narodowego w Krakowie |
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| Inne tytuły: | From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe histories, techniques, functions, and receptions Bringing colour to books and objects with decorated paper in the long 18th century Tools, machines, and techniques for colour printing in 18th-Century Europe A Voyage pittoresque in Norway through colour prints, 1789-c. 1815 Anatomy to embroidery: intaglio colour-printed illustrations in European books and periodicals, 1700-1850 Anne Allen, Jean Pillement, and the development of a la poupee prinnting in France Between painting and graphic arts: colour printmaking in Russia, 1750s-1800s Colour for commerce: letterpress-printed ephemera in Britain, 1700–1830 Colour letterpress in Europe in the long 18th century: a first survey Colour orinting in late 18-th century Italy: Edouard and Louis Dagoty, 1770-1800 Colour printing inks and colour inking in 18th-Century Europe Colour printing on English ceramics, 1751-70 Coloured prints in imitation of old master drawings in 18th-century Italy: Anton Maria Zanetti the Elder, Benigni Bossi, Francesco Roasaspina, and their contemporaries Colouring the body: printed colour in medical treatises during the long 18th century Early dye-patterned colour on calico in Europe, 1600-1840 Elisha Kirkall and his proposals for printing in chiaroscuro, natural colours, and tints, 1720–40 English colour-printed stipple engravings, 1774-1800 Francois Philippe Charpentier and the development of aquatint in France in the 1760s Innovation and tradition in early 19th-century colour printing John Baptist Jackson: printing chiaroscuro and colour woodcuts in Paris, Venice, and London Multiple-plate colour prints and the problems of disappearing inks, missing plates, and variant impressions Printed paintings and engraved drawings: technical innovations in colour printing in 18-th century France Printed wallpaper in England in the long 18th century The beginnings of commercial colour printing in Europe, 1835-40 The contribution of a la poupee inking to natural history illustration in France, 1800-70 The market for colour prints in Paris at the end of the 18th century William Blake's colour printing: methods and materials |
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| Autorzy: | Margaret Morgan Grasselli Corinne Le Bitouzé Elizabeth Savage Manon van der Mullen Michael Twyman David Alexander Rob Banham Sidney E. Berger Dionysia Christoforou Michèle Valerie Cloonan Karen Severud Cook Patricia F. Ferguson Victor Gonzalez Susan W. Greene Rena M. Hoisington Geert-Jan Janse Phillippa Mapes Alice Nicoliello Julia Nurse Chiara Palandri Michael Phillips Christian Tico Seifert Benedetta Spadaccini Zalina Valer'evna Tetermazova Simon Turner |
| Adaptacja: | Stijnman |
| Redakcja: | Margaret Morgan Grasselli Elizabeth Savage |
| Wydawca: | Oxford University Press (2025) |
| Serie wydawnicze: | Proceedings of the British Academy, |
| ISBN: | 978-0-19-726753-0 |
| Autotagi: | druk |
